metin uçar POSTMODERN DÖNEMDE SANAT TASARIM İLİŞKİSİ , 1 - 15
THE RELATIONSHIP OF ART AND DESIGN IN THE POSTMODERN ERA
DOI : http://dx.doi.org/10.29228/usved.67566

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Funda ÇETGİN HAZIR NESNE OLARAK FETİŞ VE JEFF MUHS HEYKELLERİ, 16-25
FETISH AND JEFF MUHS STATUES AS READY OBJECTS
DOI : http://dx.doi.org/10.29228/usved.68352

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Sema Öcal Çağlayan MİTLERİN VE SANATIN GERÇEKLİK KURGUSU, 26-35
REALITY FICTION OF MYTHS AND ART
DOI : http://dx.doi.org/10.29228/usved.68161

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Figen GİRGİN -Ümmühan Tutak SANATIN İZLERİ: SANATÇI GÜNLÜKLERİ VE DEFTERLERİ, 36-57
TRACES OF ART: ARTIST DIARIES AND NOTEBOOKS
DOI : http://dx.doi.org/10.29228/usved.68296

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Ümit Gezgin TÜRK RESMİNDE SOYUT SANATIN ÖZGÜN KİMLİĞİNİ DÜŞÜNMEK, 58-68
CONSIDERING THE UNIQUE IDENTITY OF ABSTRACT ART IN TURKISH PAINTING
DOI : http://dx.doi.org/10.29228/usved.68299

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Nermin ÖZCAN ÖZER Sanat Eğitiminde Materyal Ruhu: EVA Tasarımları, 69-81
Spirit of Material in Art Education: EVA Designs
DOI : http://dx.doi.org/10.29228/usved.68321

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Şerife Seda Bozpolat -Bahar SOĞUKKUYU REKLAM AFİŞLERİNDE KADIN İMGESİNİN KULLANIMI YVES SAINT LAURENT PARFÜM AFİŞLERİ, 82-100
THE USE OF THE FEMALE IMAGE IN ADVERTISING POSTERS: YVES SAINT LAURENT PERFUME POSTERS
DOI : http://dx.doi.org/10.29228/usved.68325

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Hüseyin ELMAS MELİHA YILMAZ' IN RESİMLERİNDE VARLIK BULAN PETROGLİFLER, 101-113
THE PETROGLYPHS THAT EXIST IN MELİHA YILMAZ'S PAINTINGS
DOI : http://dx.doi.org/10.29228/usved.68332

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Çiğdem Doğan Özcan LOUISE BOURGEOIS: HÜCRE SERİSİ, 114-124
LOUİSE BOURGEOİS: CELL SERIES
DOI : http://dx.doi.org/10.29228/usved.68336

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Şebnem Gürsoy Ulusoy TOPLUMSAL DEĞİŞİM VE TÜRKİYE’DE YAZLIK SİTE KÜLTÜRÜ, 125-136
SOCIAL CHANGE AND SUMMER SITE CULTURE IN TURKEY
DOI : http://dx.doi.org/10.29228/usved.68337

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Özge GÜRSOY ATAR Western Filmlerinde Kadının Temsili: My Darling Clementine Film Çözümlemesi, 137-147
Representation of Women in Westerns: My Darling Clementine Film Analysis
DOI : http://dx.doi.org/10.29228/usved.68146

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Fırat SAYICI SİNEMA VE RESİM İLİŞKİSİ BAĞLAMINDA GÖRSEL YARATICILIKTA TABLOLARDAN ESİNLENEN FİLMLER, 148-165
FILMS INSPIRED BY PAINTING IN VISUAL CREATIVITY IN THE CONTEXT OF THE RELATIONSHIP OF CINEMA AND PICTURE
DOI : http://dx.doi.org/10.29228/usved.68357

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Burcu AYAN ERGEN Çağdaş Türk Sanatçıların Kadın, Toplumsal Cinsiyet ve Göç Konulu Yerleştirme Yapıtları Üzerine, 166-179
On the Installation Artworks of Contemporary Turkish Artists, About Women, Gender and Migration
DOI : http://dx.doi.org/10.29228/usved.68383

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Meryem UZUNOĞLU KÜRESELLEŞME SÜRECİNDE ÖTEKİLİĞİN YENİDEN İNŞASI VE ÇAĞDAŞ SANATTAKİ YANSIMALARI, 180-195
RECONSTRUCTION OF OTHERNESS IN THE GLOBALIZATION PROCESS AND ITS REFLECTIONS IN CONTEMPORARY ART
DOI : http://dx.doi.org/10.29228/usved.68457

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GÖKÇEN ŞAHMARAN CAN İKONİK SANATÇI TRACEY EMİN VE YAPITLARININ GÖSTERGE-BİLİMSEL ANALİZİ, 196-213
ICONIC ARTIST TRACEY EMIN AND THE SIGNATURE-SCIENTIFIC ANALYSIS OF THEIR WORKS
DOI : http://dx.doi.org/10.29228/usved.68472

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Seyhan MERCAN KALAYCI MODERN TÜRK RESİM SANATINDA PORTRE BAĞLAMINDA ŞÜKRİYE DİKMEN’İN VE KADIN POTRELERİ ÜZERİNE BİR DEĞERLENDİRME, 214-224
AN EVALUATION ON ŞÜKRİYE DİKMEN’S WOMEN PORTRAİT IN THE CONTEXT OF IN MODERN TURKISH PAINTING ART
DOI : http://dx.doi.org/10.29228/usved.68512

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