Dilber Yıldız EL DOKUMASI ÖRNEKLERİNİN GİYİM MODASINA YANSIMASI, 1-25
REFLECTION OF HANDWEAVING SAMPLES ON CLOTHING FASHION
DOI : http://dx.doi.org/10.29228/usved.55773

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Merve ŞENER -Zuhal ARDA ERTUĞRUL ATEŞ’İN RESİMLERİNDE KÜLTÜREL BİR İMGE OLARAK KÜN VE AY, 26-39
THE SUN AND THE MOON AS A CULTURAL IMAGE IN THE PAINTINGS OF ERTUĞRUL ATEŞ
DOI : http://dx.doi.org/10.29228/usved.57861

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Teoman ÇIĞŞAR ZEN-BUDİZM IŞIĞINDA SENGAİ GİBON (1750-1837) ve “EVREN”, 40-55
SENGAI GIBON (1750-1837) AND “UNIVERSE” IN THE LIGHT OF ZEN-BUDISM
DOI : http://dx.doi.org/10.29228/usved.57499

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Gülen Nur Altınbaş -Duygu İrem Can SÜRDÜRÜLEBİLİRLİK TEMELİNDE BEDENSİZ VE DÖNÜŞEBİLEN KIYAFETLER, 56-67
Disembodied and Transformable Clothes on a Sustainability Basis
DOI : http://dx.doi.org/10.29228/usved.56872

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Özdemir Karabay ÇOCUĞUN YAPTIĞI RESMİ KİM DEĞERLENDİRMELİ? ÖĞRETMEN Mİ PSİKOLOG MU?, 68-85
Who Should Evaluate The Child's Painting? Teacher or Psychologist?
DOI : http://dx.doi.org/10.29228/usved.62639

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