Cemal Bingöl's "Three Beauties" and Picasso's "Girls from Avignon" provide striking examples of how figurative expression can follow different paths in art history. These two works form an interesting intersection point from a formal and intellectual point of view. It examines in depth the unique styles of these two artists, the influences of the period in which they lived and their approach to art. In particular, it shows how the Western influence felt in Cemal Bingöl's art has turned into an original interpretation. The drawing of the figures, the understanding of distortion, the arrangement of the work and the symbolic meanings it carries are compared. These characteristics also analyze how artists connect with the society and culture they live in. Although Picasso's "Girls from Avignon" and Cemal Bingöl's "Three Beauties" are located in different geographies, they create a common ground in art memory. This research has tried to reach the data by conducting a literature review prepared using the qualitative research method, and in addition, many aspects of the works have been examined in the research, from the formal characteristics to the meaning they carry. According to the results obtained, it suggests that there is a strong relationship between the artist's original style and his cultural identity. Dec. The importance of the modernization effort in Turkish painting and the interaction established with Western art was also seen in the research
Cemal Bingöl, Pablo Picasso, The Three Beauties, Girls from Avignon.
| Author : | NİHAT LEVENT -Fahrettin GEÇEN |
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| Number of pages: | 265-280 |
| DOI: | http://dx.doi.org/10.29228/usved.82206 |
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