Kadriye KALYONCU -Leyla ÖNEN TÜRK RESİM SANATÇISI NURİ İYEM’İN ESERLERİNİN BİÇİM VE FORM İLİŞKİLERİ AÇISINDAN İNCELENMESİ, 1-19
AN ANALYSIS OF THE WORKS OF TURKISH PAINTING ARTIST NURİ İYEM IN TERMS OF FORM AND FORM RELATIONSHIPS
DOI: http://dx.doi.org/10.29228/usved.79679
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Mutlu ERBAY - MISIR MEDENİYETİNDE HEYKELLERİN GÖZLERİ ÜZERİNDE CAM MACUNU KULLANIMI, 20-38
THE USE OF GLASS PASTE ON THE EYES OF STATUES IN EGYPTIAN CIVILIZATION
DOI: http://dx.doi.org/10.29228/usved.80011
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A STUDY ON THE IMPORTANCE OF 3B MODELING EDUCATION IN TERMS OF DIGITAL VISUALIZATION
DOI: http://dx.doi.org/10.29228/usved.80277
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Metin UÇAR -Hasan Hüseyin ULUHAN MODERN SANATTA BİR İFADE ARACI OLARAK SU VE BOYA, 57-75
WATER AND PAINT AS A MEANS OF EXPRESSION IN MODERN ART
DOI: http://dx.doi.org/10.29228/usved.80657
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HAKAN ARIKAN - PERFORMANS SANATINDA RİTÜELİSTİK YAKLAŞIMLAR, 76-93
RITUALISTIC APPROACHES IN PERFORMANCE ART
DOI: http://dx.doi.org/10.29228/usved.80732
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SEMİOTİC ANALYSİS OF MARTHA ROSLER’S ‘SEMİOTİC KİTCHEN’ VİDEO PERFORMANCE
DOI: http://dx.doi.org/10.29228/usved.80743
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Naile ÇEVİK -Zeliha KAYAHAN SERGİLEMEDE KARŞITLIK DUYGUSU; MEKÂN İÇİNDE DOĞA, 108-120
FEELING OF CONTRAST IN EXHIBITION; NATURE IN SPACE
DOI: http://dx.doi.org/10.29228/usved.81130
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Rasim BAĞIRLI -Seda ÖZCAN ÖZDEN ÇAĞDAŞ SANATTA “DOĞA” İZDÜŞÜMLERİ, 121-134
PROJECTIONS OF “NATURE” IN CONTEMPORARY ART
DOI: http://dx.doi.org/10.29228/usved.81131
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Teoman ÇIĞŞAR - JAMES MC NEİLL WHİSTLER (1834-1903) ve JAPONİZM ETKİLERİ, 135-147
JAMES MCNEILL WHISTLER (1834-1903) AND THE INFLUENCES OF JAPONISM
DOI: http://dx.doi.org/10.29228/usved.81425
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Tuncay KOÇAY -Mehmet Ali BÜYÜKPARMAKSIZ SANATTA ÇAĞDAŞ BİR STRATEJİ OLARAK TEKNOLOJİ KULLANIMI, 148-171
THE USE OF TECHNOLOGY AS A CONTEMPORARY STRATEGY IN ART
DOI: http://dx.doi.org/10.29228/usved.81632
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Milen ARSLAN -Sefa ÇELİKSAP HİERONYMUS BOSCH: YERYÜZÜ ZEVKLER BAHÇESİ VE BİLİMKURGU FİLM ÖRNEĞİ AVATAR, 148-171
HIERONYMUS BOSCH THE GARDEN OF EARTHLY PLEASURES AND THE SCI-FI FILM EXAMPLE AVATAR
DOI: http://dx.doi.org/10.29228/usved.81732
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Kerim LAÇİNBAY -Berrak KILIÇ FİGÜRATİF SOYUTLAMA BAĞLAMINDA ALİ DÜZGÜN’ÜN ESERLERİNDE ESTETİK VE GEOMETRİK YAPI, 191-202
AESTHETIC AND GEOMETRIC STRUCTURE IN ALİ DÜZGÜN’S WORKS WITHIN THE CONTEXT OF FIGURATIVE ABSTRACTION
DOI: http://dx.doi.org/10.29228/usved.81888
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Cumhur Okay ÖZGÖR - GUSTAVE DORÉ İLLUSTRASYONLARININ SİNEMASAL İMGELERİ , 203-2019
THE CİNEMATİC IMAGES OF GUSTAVE DORÉ'S İLLUSTRATİONS
DOI: http://dx.doi.org/10.29228/usved.82159
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Ali Ertuğrul KÜPELİ -Meliha YILMAZ -Sinan ÇİNAR ARKEOLOJİK BELLEKTEN TUVALE: GEÇ HİTİT SANATININ İHSAN ÇAKICI’NIN YAPITLARINDAKİ İZDÜŞÜMÜ, 220-239
FROM ARCHAEOLOGICAL MEMORY TO CANVAS: THE PROJECTION OF LATE HITTITE ART IN İHSAN ÇAKICI’S WORKS
DOI: http://dx.doi.org/10.29228/usved.82162
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Engin ÜMER - ESTETİK DENEYİM AÇISINDAN KORKU TÜRÜ VİDEO OYUNLARDA TEKİNSİZ TEMALAR, 240-264
THE UNCANNY THEMES IN HORROR VIDEO GAMES IN TERMS OF AESTHETIC EXPERIENCE
DOI: http://dx.doi.org/10.29228/usved.82181
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NİHAT LEVENT -Fahrettin GEÇEN CEMAL BİNGÖL'ÜN ÜÇ GÜZELLER ESERİ İLE PİCASSO'NUN AVİGNONLU KIZLAR ESERİ İLE ÜSLUPSAL KARŞILAŞTIRMA, 265-280
A STYLISTIC COMPARISON BETWEEN CEMAL BINGÖL'S THREE BEAUTIES AND PICASSO'S GIRLS FROM AVIGNON
DOI: http://dx.doi.org/10.29228/usved.82206
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Aytekin ÇELİK - YENİ İLETİŞİM TEKNOLOJİLERİ İLE KIRILMIŞ ZAMAN VE MEKÂN UZAMINDA BENLİĞİN SUNUMU, 281-300
PRESENTATION OF SELF IN THE SPACE OF TIME AND SPACE FRACTURED BY NEW COMMUNICATION TECHNOLOGIES
DOI: http://dx.doi.org/10.29228/usved.82322
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Memet Ali ZEREN - İNTERAKTİF IŞIK TASARIMI İLE DUYGUSAL MEKÂNLARIN İNŞASI, 301-318
THE CONSTRUCTION OF EMOTIONAL SPACES THROUGH INTERACTIVE LIGHTİNG DESIGN
DOI: http://dx.doi.org/10.29228/usved.82363
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