Ahmet Fatih ÖZMEN ÇAĞDAŞ TÜRK RESMİNDE TOPLUMSAL GERÇEKÇİLİK: ÇİFTÇİ TEMASI, 1-18
SOCIAL REALISM IN CONTEMPORARY TURKISH PAINTING: FARMER THEME
DOI: http://dx.doi.org/10.29228/usved.78899
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Arzu Uysal -Emrah Uysal SANATTA DİKİŞ YA DA NAKIŞ TEKNİĞİ İLE OLUŞTURULAN YARATICI DÜNYA: LOUISE BOURGEOIS VE GHADA AMER, 19-38
THE CREATIVE WORLD CREATED THROUGH SEWING OR EMBROIDERY TECHNIQUES IN ART: LOUISE BOURGEOIS AND GHADA AMER
DOI: http://dx.doi.org/10.29228/usved.79415
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Asuman DAŞDEMİR - Dijital Kolaj ile Doğanın Çağdaş Sanata Yansıması, 39-55
Reflection of Nature in Contemporary Art With Digital Collage
DOI: http://dx.doi.org/10.29228/usved.78501
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Büşra Akgül -Kerim Laçinbay -Meliha Yılmaz ART NOUVEAU RESSAMLARININ ESERLERİNDE UKİYO-E ETKİSİ, 56-69
UKİYO-E INFLUENCE IN THE WORKS OF ART NOUVEAU PAINTERS
DOI: http://dx.doi.org/10.29228/usved.77668
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Kaya İlhan -Gülsün BOZKURT PRIME TIME TELEVİZYON KANALLARININ ANA HABER BÜLTENLERİNDE HABER DEĞERİ KAVRAMININ DEĞERLENDİRİLMESİ: “STAR TV” VE “KANAL D” ÖRNEĞİ, 70-89
EVALUATION OF THE NEWS VALUE IN THE MAIN NEWS BULLETINS OF PRIME TIME TELEVISION CHANNELS: THE EXAMPLE OF STAR TV AND KANAL D
DOI: http://dx.doi.org/10.29228/usved.77212
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Fatma ALTIN YÜCE - - SANATÇI SABRİ BERKEL RESİMLERİNDE KALİGRAFİK ETKİLER, 90-101
CALIGRAPHIC EFFECTS IN ARTIST SABRİ BERKEL'S PAINTINGS
DOI: http://dx.doi.org/10.29228/usved.79556
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Günay Sıla Elmas -GONCA HÜLYA YAYAN HÜSEYİN ELMAS’IN RESİMLERİNDE MİTOLOJİK BİR İMGE OLARAK GÜVERCİN VE BALIKLAR, 102-118
PIEGON AND FISH AS A MYTHOLOGICAL IMAGE IN HÜSEYİN ELMAS’S PAINTINGS
DOI: http://dx.doi.org/10.29228/usved.79131
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Hakan MAZLUM - Dijital Pazarlamada Etkileşim Gücü Hareketli Grafiklerin Rolü, 119-134
The Power Of Interactıon In Digital Marketing: The Role Of Motion Graphics
DOI: http://dx.doi.org/10.29228/usved.79552
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Hale Yoldaş -Hüseyin Elmas TÜRK RESMİNDE GELENEKSELDEN YARARLANMA VE KUŞ BAKIŞI ETKİSİ, 135-155
IN TURKISH PAINTING UTILIZING TRADITION AND THE BIRS’S EYE VIEW EFFECT
DOI: http://dx.doi.org/10.29228/usved.78887
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Lucia Şanko - SANATIN SOSYOLOJIK BOYUTU: LUHMANN’IN TEORISINE WILLEM SCHINKEL’IN ELEŞTİREL YAKLAŞIMI, 156-172
THE SOCIOLOGICAL DIMENSION OF ART: WILLEM SCHINKEL'S CRITICAL APPROACH TO LUHMANN'S THEORY
DOI: http://dx.doi.org/10.29228/usved.78147
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Mustafa KOCALAN -Tansel TÜRKDOĞAN RESİM SANATINDA MEKAN YANILSAMASININ KOŞULLARI VE PERSPEKTİFİN ROLÜ, 173-196
CONDITIONS OF ILLUSION OF SPACE IN PAINTING ART AND THE ROLE OF PERSPECTIVE
DOI: http://dx.doi.org/10.29228/usved.79563
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Onur Aydın - MANİHEİZM ETKİSİNDE UYGUR RESİM SANATI, 197-213
UYGHUR PAINTING UNDER THE INFLUENCE OF MANCHEISM
DOI: http://dx.doi.org/10.29228/usved.79197
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Ömür Göktepeliler -Ali Ertuğrul Küpeli SANATIN TİCARİLEŞMESİ: ADORNO'NUN KÜLTÜR ENDÜSTRİSİ ÜZERİNE GÖRÜŞLERİ, 214-226
THE COMMERCIALIZATION OF ART: ADORNO'S VIEWS ON THE CULTURE INDUSTRY
DOI: http://dx.doi.org/10.29228/usved.79067
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Seyithan ATAMAN - MARDİN MÜZESİNDEKİ OSMANLI DÖNEMİNE AİT BİR GRUP DÖNER TABLALI MÜHÜR ÖRNEĞİ, 227-241
A Group Of Turntable Seal Samples From The Ottoman Perıod In Mardın Museum
DOI: http://dx.doi.org/10.29228/usved.77744
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Tahir Çelikbağ -Hamid Maharramov -Seyhan Mercan Kalaycı HİÇLİKTEN YARATILAN KİMLİKLER: ORHAN CEBRAİLOĞLU’NUN ESERLERİNDE VAROLUŞ FELSEFESİ, 242-258
Identities Created from Nothingness: Existential Philosophy in the Works of Orhan Cebrailoğlu
DOI: http://dx.doi.org/10.29228/usved.79481
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